Tuesday, August 6, 2019

Create an outline before writing your first draft

An essay outline is probably the most important friend you will have while writing your essay. It is the scaffolding of your paper and the skeleton of your ideas. It is the framework by which you will write a killer essay. And frankly, it is difficult to write one without an outline.


How to Write an Outline





What is it?

An outline is a general plan of the material that is to be presented in a speech or a paper. The outline shows the order of the various topics, the relative importance of each, and the relationship between the various parts.



Order in an Outline



There are many ways to arrange the different parts of a subject. Sometimes, a chronological arrangement works well. At other times, a spatial arrangement is best suited to the material. The most common order in outlines is to go from the general to the specific. This means you begin with a general idea and then support it with specific examples.


Thesis Statement of Summarizing Sentence

All outlines should begin with a thesis statement of summarizing sentence. This thesis sentence presents the central idea of the paper. It must always be a complete, grammatical sentence, specific and brief, which expresses the point of view you are taking towards the subject.


Types of Outlines



The two main types of outlines are the topic outline and the sentence outline. In the topic outline, the headings are given in single words or brief phrases. In the sentence outline, all the headings are expressed in complete sentences.





Rules for Outlining


1. Subdivide topics by a system of numbers and letters, followed by a period.
Example:
I.
    A.
    B.
        1.
        2.
            a.
            b.
II.
    A.
    B.
2. Each heading and subheading must have at least two parts.
3. Headings for parts of the paper of speech such as, Introduction and Conclusion, should not be used.
4. Be consistent. Do not mix up the two types of outlines. Use either whole sentences of brief phrases, but not both.







Examples



Topic Outline


Choices in College and After

Thesis: The decisions I have to make in choosing college courses, depend on larger questions I am beginning to ask myself about my life’s work.
    I. Two decisions described
A. Art history or chemistry
1. Professional considerations
2. Personal considerations


B. A third year of French?
1. Practical advantages of knowing a  foreign  language
2. Intellectual advantages
3. The issue of necessity


    II. Definition of the problem
A. Decisions about occupation
B. Decisions about a kind of life to lead


    III. Temporary resolution of the problem
A. To hold open a professional possibility: chemistry
B. To take advantage of cultural gains already made: French









Sentence Outline


Choices in College and After


Thesis: The decisions I have to make in choosing college courses, depend on larger questions I am beginning to ask myself about my life’s work.
I. I have two decisions to make with respect to choosing college courses in the immediate future.


A. One is whether to elect a course in art history or in chemistry.
1. One time in my life, I planned to be a chemical engineer professionally.
2. On the other hand, I enjoy art and plan to travel and see more of it.


B. The second decision is whether to continue a third year of French beyond the basic college requirement.
1. French might be useful both in engineering and travel.
2. Furthermore, I am eager to read good books which are written in French.
3. How necessary are these considerations in the light of other courses I might take instead?


II. My problem can be put in the form of a dilemma involving larger questions about my whole future.


A. On the one hand I want to hold a highly-trained position in a lucrative profession.
B. On the other hand I want to lead a certain kind of life, with capacities for values not connected with the making of money.


III. I will have to make a decision balancing the conflicting needs I have described.


A. I will hold open the professional possibilities by electing chemistry.
B. I will improve and solidify what cultural proficiency in another language I have already gained, by electing French.





How to Write an Outline

An outline breaks down the parts of your thesis in a clear, hierarchical manner. Most students find that writing an outline before beginning the paper is most helpful in organizing one's thoughts. If your outline is good, your paper should be easy to write.

The basic format for an outline uses an alternating series of numbers and letters, indented accordingly, to indicate levels of importance. 

Here is an example of an outline on a paper about the development of Japanese theater:

OUTLINE NOTES
I. Thesis: Japanese theater rose from a popular to elite and then returned to a popular art form. The thesis is stated in the first section, which is the introduction.
  • II. Early theatrical forms
    • A. Bugaku
    • B. Sarugaku
    • C. Primitive Noh
    • D. Authors and Audience
  • III. Noh theater
    • A. Authors
    • B. Props
      • 1. Masks
        • a. women
        • b. demons
        • c. old men
      • 2. Structure of Stage
    • C. Themes
      • 1. Buddhist influence
      • 2. The supernatural
    • D. Kyogen interludes
    • E. Audience
  • IV. Kabuki
    • A. Authors
    • B. Props
      • 1. make-up
      • 2. special effects
    • C. Themes
      • 1. Love stories
      • 2. Revenge
    • D. Audience
  • V. Bunraku (puppet) theater
    • A. Authors
    • B. Props
    • C. Themes
      • 1. Love stories
      • 2. Historical romances
    • D. Audience
The body follows the introduction, and breaks down the points the author wishes to make.
Note that some section have subdivisions, others do not, depending on the demands of the paper.
In this outline, II, III, & IV all have similar structure, but this will not necessarily be true for all papers. Some may only have three major sections, others more than the five given here.
VI. Conclusion Your conclusion should restate your thesis, and never introduce new material.









When you begin writing an essay outline, use the following model as a guide:

I. INTRODUCTION:

Thesis:_____________________________________________________.



II. BODY PARAGRAPH 1:

Opening Sentence:___________________________________________.

Detail 1:____________________________________________________.

Detail 2:____________________________________________________.

Detail 3:____________________________________________________.



III. BODY PARAGRAPH II:

Transition/Opening Sentence:_________________________________.

Detail 1:____________________________________________________.

Detail 2:____________________________________________________.

Detail 3:____________________________________________________.



IV. BODY PARAGRAPH III:

Transition/Opening Sentence:_________________________________.

Detail 1:____________________________________________________.

Detail 2:____________________________________________________.

Detail 3:____________________________________________________.



V. BODY PARAGRAPH IV:

Transition/Opening Sentence:_________________________________.

Detail 1:____________________________________________________.

Detail 2:____________________________________________________.

Detail 3:____________________________________________________.



VI. CONCLUSION:

Reconfirmed Thesis:_________________________________________.


If you use this rough guide and fill in the blanks as you are researching your essay, you will find writing the essay so simple. You have all you need in front of you. It is researched and organized. All you have to do now is fill in the blanks with transition words and smooth language.



SOURCES
http://www.bookrags.com/articles/2.html
http://www.essaywritinghelp.com/outline.htm
http://www.suite101.com/content/how-to-write-an-essay-outline-a98961
http://www.albany.edu/eas/170/outline.htm
http://www.lavc.edu/library/outline.htm





    Thursday, August 1, 2019

    How can I make my writing more concise?



    MY ESSAY IS TOO LONG. HOW DO I CUT WORDS?
    • Read your essay aloud at full volume (doing so forces you to go slow).
    • After each word or phrase, ask yourself, "If I cut this, will my meaning change?"
    • If the answer is "no", then cut it!

    More tips here, including this activity from the Purdue Online Writing Lab (OWL), which is a fantastic resource for writers.  


    Conciseness

    Summary: This resource will help you write clearly by eliminating unnecessary words and rearranging your phrases.
    Contributors: Ryan Weber, Nick Hurm
    Last Edited: 2010-04-17 05:34:19

    The goal of concise writing is to use the most effective words. Concise writing does not always have the fewest words, but it always uses the strongest ones. Writers often fill sentences with weak or unnecessary words that can be deleted or replaced. Words and phrases should be deliberately chosen for the work they are doing. Like bad employees, words that don't accomplish enough should be fired. When only the most effective words remain, writing will be far more concise and readable.

    This resource contains general conciseness tips followed by very specific strategies for pruning sentences.

    1. Replace several vague words with more powerful and specific words.

    Often, writers use several small and ambiguous words to express a concept, wasting energy expressing ideas better relayed through fewer specific words. As a general rule, more specific words lead to more concise writing. Because of the variety of nouns, verbs, and adjectives, most things have a closely corresponding description. Brainstorming or searching a thesaurus can lead to the word best suited for a specific instance. Notice that the examples below actually convey more as they drop in word count.



    Wordy: The politician talked about several of the merits of after-school programs in his speech (14 words)
    Concise: The politician touted after-school programs in his speech. (8 words)




    Wordy: Suzie believed but could not confirm that Billy had feelings of affection for her. (14 words)
    Concise: Suzie assumed that Billy adored her. (6 words)




    Wordy: Our website has made available many of the things you can use for making a decision on the best dentist. (20 words)
    Concise: Our website presents criteria for determining the best dentist. (9 words)




    Wordy: Working as a pupil under a someone who develops photos was an experience that really helped me learn a lot. (20 words)
    Concise: Working as a photo technician's apprentice was an educational experience. (10 words)

    2. Interrogate every word in a sentence

    Check every word to make sure that it is providing something important and unique to a sentence. If words are dead weight, they can be deleted or replaced. Other sections in this handout cover this concept more specifically, but there are some general examples below containing sentences with words that could be cut.


    Wordy: The teacher demonstrated some of the various ways and methods for cutting words from my essay that I had written for class. (22 words)
    Concise: The teacher demonstrated methods for cutting words from my essay. (10 words)


    Wordy: Eric Clapton and Steve Winwood formed a new band of musicians together in 1969, giving it the ironic name of Blind Faith because early speculation that was spreading everywhere about the band suggested that the new musical group would be good enough to rival the earlier bands that both men had been in, Cream and Traffic, which people had really liked and had been very popular. (66 words)
    Concise: Eric Clapton and Steve Winwood formed a new band in 1969, ironically naming it Blind Faith because speculation suggested that the group would rival the musicians’ previous popular bands, Cream and Traffic. (32 words)


    Wordy: Many have made the wise observation that when a stone is in motion rolling down a hill or incline that that moving stone is not as likely to be covered all over with the kind of thick green moss that grows on stationary unmoving things and becomes a nuisance and suggests that those things haven’t moved in a long time and probably won’t move any time soon. (67 words)
    Concise: A rolling stone gathers no moss. (6 words)

    3. Combine Sentences.

    Some information does not require a full sentence, and can easily be inserted into another sentence without losing any of its value. To get more strategies for sentence combining, see the handout on Sentence Variety.


    Wordy: Ludwig's castles are an astounding marriage of beauty and madness. By his death, he had commissioned three castles. (18 words)
    Concise: Ludwig's three castles are an astounding marriage of beauty and madness. (11 words)


    Wordy: The supposed crash of a UFO in Roswell, New Mexico aroused interest in extraterrestrial life. This crash is rumored to have occurred in 1947. (24 words)
    Concise: The supposed 1947 crash of a UFO in Roswell, New Mexico aroused interest in extraterrestrial life. (16 words)


    (found at http://owl.english.purdue.edu/owl/resource/572/01/; accessed 11/2010)




      Wednesday, June 12, 2019

      Ellen Lupton Writing tips from "Design is Storytelling"

      Ellen Lupton Writing tips from "Design is Storytelling"


      ❶ Wait. I’m scared. I have writer’s block.
      • Instead of struggling to compose a brilliant for sentence, list the main points you want to make. Don’t worry about the order.
      • Go back and group your points into sections. A pitch or presentation should have three to five main sections.
      • If making a list feels too linear, create a word map instead. Write your main idea in a bubble in the middle of a sheet of paper. Draw more bubbles with more points.
      • Research. Gathering evidence will help you create compelling content. It will also help you defeat writer’s block.
      ❷ I have notes and a general plan. Now what?
      • Start writing in a relaxed, conversational way. Focus on the content, not the words, as if you were speaking to someone. Later, you can improve the writing style.
      • As you write, focus on being clear, not clever. Focus on the ideas and information that you want other people to absorb. If your sentences have more secret staircases than a Victorian mansion, it’s time to clean house.
      • A metaphor can be your best friend or a backstabbing enemy. Use metaphors to clarify and illuminate concepts, not to create flowery prose.
      ❸ My text is clear but it’s deadly dull.
      • Generate intrigue by questioning assumptions. Make readers curious with phrases such as, “You may have learned in school that… “ or “One of the biggest mistakes in our industry is… “
      • Introduce counter-arguments. Anticipate objections and address them.
      • Imagine writing an FAQ for your product or idea. What will confuse a new user? Posing questions and then answering them keeps people interested.
      • Read your text out loud and listen for repetition and clunky phrases. If you think you are being boring, your audience will, too.
      • When you are almost finished, make an outline of what you have done. For example, if you are producing a slide deck, write down the main headings. Are they parallel? Did they tell a clear story? We working the headings can help you restructure your material.


      adapted from Design is Storytelling — Ellen Lupton p. 155–

      Sunday, January 13, 2019

      Mr. X / he

      IN ESSAYS
      Where the subject of the previous sentence was something other than the subject of the current sentence, use the full form of the subject (here, “Mr. X”) instead of a pronoun (“he”), since the pronoun will seem as if it refers to the subject of the previous sentence (here, "many people”).

      IN LoRs
      Your recommender only needs to use your first and last name (Mr. Vince Ricci) once, at the very beginning of the letter, the first time he refers to you. Thereafter, he can refer you to as Mr. Ricci, or Vince. 

      Sunday, January 6, 2019

      Differentiate, or die!

      Never write something that someone else could write.

      Too often, clients in their essays with something like, This will allow me to achieve my long-term goal.

      Why do you even assume that the reader remembers your long-term goal? That was pages ago :) Seriously, use every single opportunity to remind busy readers of what you are trying to achieve and why you care about it. 

      Like all humans, admissions office readers learn through repetition. Learn how to say the same thing in a different way. Paraphrase your specific goals. Never use a generic phrase like "my short-term goal" or "my long-term goal." Just because that phrase appears in the question you don't need to repeat it in your essay. You have specific goals. Remind them what your specific goals are at every opportunity. 

      Show them the money

      One of the hardest things from my Japanese clients to understand is that American people want to hear a hopeful story. It's okay to talk about Japan lagging behind in this area or that area when trying to convince your company to sponsor your MBA or when applying for a Fulbright scholarship or a similar grant. However, when writing for or speaking with admissions officers, tell them a story about the opportunity that you hope to capture.

      Sunday, November 4, 2018

      Include first and last names when mentioning alumni in your essay

      Include first and last names when mentioning alumni in your essay

      Tip: Always refer to current students or alumni by their full name and year of graduation. 
      Reason: Sometimes, admissions office readers only know someone's first name.

      IN ESSAYS
      • Student names: Always refer to current students or alumni by their full name. Sometimes, adcom readers only know someone's first name, especially at schools like Kellogg and Tuck. Write like this: Vince Ricci (MBA '15)
      • School name: similarly, in your goals essay, the first time you write a school's name, spell it out officially as the school does e.g. The Kellogg School of Management. Afterward, you can just call it Kellogg.

      IN LETTERS of RECOMMENDATION
      • The first time your recommender mentions you, he should write your full name, like this: "I first met Mr. Vince Ricci in 2002." Afterward, he can refer to you as just Mr. Ricci (or Vince if a peer / casual recommender)
      • I am writing to you with regard to [Mr./Ms. Full Name], who has requested that I write a letter of recommendation on [his/her] behalf.

      Mr vs Mr.
      • In British English, abbreviated titles that end with the same letter as the word being abbreviated do not take a full stop (period): “Mr” but “Prof.”
      • On the other hand, in American English, all titles take a period: “Mr.” and “Prof.”
      • Either way, be sure to add a space after Mr or Mr.

      Too many clients write Mr.Smith, which is always incorrect in both US and UK English.

      Friday, August 31, 2018

      How to markup an essay

      Q: What do these editing colors and symbols mean?
      A: I often use the following highlight colors to indicate certain writing issues


      ORANGE = wdy = wordy, verbose


      YELLOW = grammar issues, including misplaced modifiers, usage, spelling, articles, agreement, capitalization


      GREEN = vague, illogical, imprecise or misleading
      • Vague: add prepositional phrases and details to fix the context and define the issues 
      • va = vague: A paragraph, sentence, clause, phrase, or word is vague, nonspecific, imprecise, or misleading. The most common error is failure to include short prepositional phrases that tie things down. Vague (depending on context): "The court refused to decide the issue." Precise: "The court refused to decide the issue of proximate cause." 
      • Solution: show, don't tell (http://techwritingtodai.blogspot.jp/2011/03/sdt.html
      • This... what? Professor John Cochrane at The University of Chicago Booth School of Business says, you should clothe the naked “this.” “This” should always have something following it. “This example shows that....” is fine. More generally, this rule helps you to avoid an unclear antecedent to the “this.” Often there are three or more things in recent memory that “this” could point to. http://techwritingtodai.blogspot.jp/2014/07/this-what.html


      BLUE = logic or transition issues
      • not believable, not credible (esp. in recommendation letters)
      • The greatest mistake that I see applicants make when drafting bullet points for letters of recommendation: they cross the credibility line by referencing information the recommender is unlikely to know. Recommenders can only mention what you said and did, not what you thought and felt. How can a recommender know your inner motivations unless you told him? And even if you told him, why would he feel the need to mention such information in a letter of recommendation? Bottom line: He should discuss what you said (add real dialogue) and did (actions and results) instead of what you thought or felt. 
      • trans = transition problem: A transition between paragraphs, arguments, or sections of the writing is nonexistent, abrupt, weak, lame or misleading. Think about the logical relationship between the parts that need connecting and try to write a smooth and helpful transition. Good transitions are based upon ideas and their logical relationship, not just clever or stock phrases. 
      • Please read these tips to improve your transitions  http://techwritingtodai.blogspot.jp/2012/04/transitions.html  


      PINK = awkward or passive
      • awkward phrasing, although not grammatically incorrect. Most common: words with slightly inapposite meaning, too many words to express a particular concept, or awkward (but not technically incorrect) grammatical construction 
      • pv = passive voice: Passive constructions ("the case was decided" or "it was determined that...") are grammatically correct but weak and often confusing. They are useful only when the subject of the verb is unknown or indefinite or the writer wishes to conceal the subject.
      • Otherwise, passive voice—particularly if used repeatedly—is a sign of wooden and heavy writing. 
      • Solution: There are five reasons to use passive voice. Please learn them! http://techwritingtodai.blogspot.jp/2011/04/passive-voice.html



      Monday, May 1, 2017

      This... what?


      THIS... WHAT?

      To quote Professor John Cochrane at The University of Chicago Booth School of Business, you should clothe the naked “this.”

      “This” should always have something following it. “This example shows that....” is fine. More generally, this rule helps you to avoid an unclear antecedent to the “this.” Often there are three or more things in recent memory that “this” could point to.

      In grammar lexicon, the above issue is often marked as "unclear antecedent."
      Sometimes an antecedent is unclear not because there are multiple nouns that a pronoun may refer to, but because the noun that the pronoun refers to has not been stated. This error is especially common when writers use first-person plural pronouns—we, us, our, and ours—to imply unity between the writer and the readers.

      Identifying and Addressing Unclear Pronouns and Antecedents

      https://writingcommons.org/.../1237-identifying-and-addressing-unclear-pronouns-antec...








      Tuesday, May 5, 2015

      How to do peer review




      What is peer review?


      "As a peer reviewer, your job is not to provide answers. You raise questions; the writer makes the choices. You act as a mirror, showing the writer how the draft looks to you and pointing our areas which need attention." - Sharon Williams

      How to provide helpful feedback

      • Read a draft all the way through before you begin to comment on it.
      • Give yourself enough time to read and respond.
      • Point out the strengths of the draft.
      • When discussing areas that need improvement, be nice. Offer appropriate, constructive comments from a reader's point of view.
      • Make comments text-specific, referring specifically to the writer's draft (NO "rubber stamps" such as "awkward" or "unclear" or "vague," which are too general to be helpful).
      • Avoid turning the writer's paper into YOUR paper. 
      • Don't overwhelm the writer with too much commentary. Stick to the major issues on the feedback form that are problematic.
      • Make sure your suggestions are reasonable (i.e., don't suggest that they totally rewrite the paper because you didn't agree with the author's point of view or didn’t like the topic).
      • If something appears too complicated to write in the commentary, just mention that you have something that you would like to talk to the writer about when you discuss the draft afterward.
      • Before giving your written comments to the author, reread your comments to make sure they are clear and make sense.

      (found at http://mwp01.mwp.hawaii.edu/resources/peer_review.htm; accessed 11/2010)




      What types of comments are constructive and helpful?

      • Be respectful and considerate of the writer's feelings.
      • Use "I" statements.
      • Offer suggestions, not commands.
      • Raise questions from a reader's point of view, points that may not have occurred to the writer.
      • Phrase comments clearly and carefully so that the writer can easily understand what needs to be improved.
      • Make sure comments are constructive and specific (not "This paper is confusing. It keeps saying the same things over and over again" but rather "It sounds like paragraph five makes the same point as paragraphs 2 and 3.").


      (found at http://mwp01.mwp.hawaii.edu/resources/peer_review.htm; accessed 11/2010)









      Form groups of three

      Assign each member a letter (A, B, or C)

      You have 25 mins to review and give comments on paper

      In those 25 minutes, you should

      • Read one paper (A, B, or C - not all three!)
      • Write comments on the peer review sheet
      • Share your comments with the author

      Here are the steps:

      1. Writer 1 gives each peer a copy of her paper (A gives her paper to B and C)
      2. Peer reads the paper twice: first time for content (ideas), second time for style and usage (grammar): approximately 4 mins
      3. Peers write comments on peer review sheet: approximately 2 mins
      4. Peers review comments before sharing them (ensure they are logical, relevant, and easy to understand): approximately 1 min
      5. Peers share comments with writers verbally one-by-one, then give writer their written comments: approximately 8 mins
      6. Writer processes comments by asking peer for clarification and further advice on how to improve her paper: approximately 5 mins 



      PEER REVIEW

      Peer review lesson plan


      • Print and bring four printed copies of your paper to our May 2 class
      • You will exchange papers with your peers from different academic disciplines
      • You will fill out the form below

      Author________________________
      Reviewer______________________

      The goals of peer review are 1) to help improve your classmate's paper by pointing out strengths and weaknesses that may not be apparent to the author, and 2) to help improve editing skills.
      INSTRUCTIONS
      Read the paper(s) assigned to you twice, once to get an overview of the paper, and a second time to provide constructive criticism for the author to use when revising his/her paper. Answer the questions below. 
      STRUCTURE (30%)
      1. Were the introduction, body paragraph, and conclusion adequate? If not, what is missing?

      2. Was the material ordered in a way that was logical, clear, and easy to follow? Why or why not? Explain with details.

      CONTENT (30%)
      3. Did the writer adequately summarize and discuss the topic? Why or why not? Explain with details.

      4. Did the writer merely summarize existing data or publications?  

      WORD CHOICE (20%)
      5. Are the words specific and accurate? Does the writer use strong action verbs whenever possible? Are the adjectives as descriptive as possible? Are the nouns specific, not general? Why or why not? Explain with details.


      GRAMMAR AND STYLE (20%)
      6. Were there grammatical or spelling problems? Did the writer use active and passive voice appropriately?

      7. Was the writer’s writing style clear, appealing, and full of energy? Why or why not? Explain with details.




      Monday, April 14, 2014

      Never use two words if one is enough

      Never use two words if one is enough



      1. WORDINESS

      Never use two words if one is enough.
      Instead of "past experience," simply write "experience."
      The verb "resigned" is a concise alternative for the phrase "left the firm".
      • end result → result
      • future plans → plans

         
      If a sentence has more than 20 words without punctuation, or more than 40 words altogether, it may be excessively wordy. Consider re-phrasing the sentence, or breaking it into smaller sentences. People have very short attention spans; if too much information is presented all at once, the brain cannot properly process it.
      While there are no strict rules about length of a sentence, if your clauses are longer than about 20 words, or if your entire sentence is longer than about 40 words, it may be too much for your reader to clearly understand. If the reader has to go back and re-read too many sentences, they may just give up reading... and possibly fall asleep.


       

      S-V-O is the way to go!

      Subject - Verb - Object (S-V-O) Sentences
      1. I play football.
      2. Max reads books.
      3. We can speak English.
      4. Sue is singing a nice song.
      5. I like table tennis.
      more tips here:

       

      ALSO, WATCH FOR RUN-ON SENTENCES
       

      When two independent clauses are joined by a co-ordinating conjunction (e.g. "and", "but", "or", "so"), there must be a comma before the conjunction or it will be a run-on sentence. Clearly identify the conjunction in the sentence with two independent clauses, and insert a comma before the conjunction.

      Incorrect: Matthew went to the library and I headed back to the science lab.
      The two clauses, “Matthew went to the library” and “I headed back to the science lab”, are independent; a comma should be inserted before “and”.

      Incorrect: The wind was brisk but the sun was strong.
      The two clauses, “the wind was brisk” and “the sun was strong”, are independent; there should be a comma before “but”.

      Correct: The man’s business was failing, so he was searching for alternative income.
      The two clauses, “the man’s business was failing” and “he was searching for alternative income”, are independent. The co-ordinating conjunction, “so” requires a comma before it.


      Featured Post

      What are the five reasons to use passive voice?

      USE ACTIVE VOICE As listed below, there are only 5 reasons one should EVER use passive voice. If you don't need to use passive voi...